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Kirsty Housely_

part of Evolve Exchange


Creative Team_


Writer and Director - Kirsty Housley

Mentor – Tessa Walker

Actors – Melanie Wilson, Dulcie Lewis and Colin Carmichael

Associate – Liz Heery

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Kirsty Housley

Kirsty studied Theatre and Performance Studies at The University of Warwick and trained at the National Theatre Studio.

Directing includes: Mother Courage and The Book of Illusions (both National Theatre Studio); Kazuko Hohki’s Wuthering Heights (BAC, Farnham Maltings and Birmingham Rep Door);  Cue Deadly: A Live Film Project by Nicholas Blincoe (Riverside Studios); After Haggerty by David Mercer (Finborough Theatre); Everything is Illuminated by Jonathan Safran Foer, adapted by Simon Block (Etcetera Theatre and Hampstead Theatre); Nymphs and Shepherds by David Hines; Henry IV by Luigi Pirandello; The Chic Nerds by Ronan O’Donnell (all for the Etcetera Theatre); Blue Jam by Chris Morris (Etcetera Theatre, Riverside Studios and BAC. Time Out, Guardian and Evening Standard Critics Choice).

Kirsty is a guest director in Contemporary Theatre at E15 Acting School and Central School of Speech and Drama.

Work as Assistant Director includes: Shun-kin (Assistant to Simon McBurney: Complicite, Setagaya Public Theatre and Barbican); A Matter of Life and Death (Assistant to Emma Rice: National Theatre Olivier and Kneehigh); 24 Hour Plays: (Assistant to Robert Delamere), USUK and Canada Foreplay: (Assistant to Samuel West and Paulette Randall), all at The Old Vic, and Hoxton Story (Assistant to Lisa Goldman: The Red Room).

Kirsty has also worked as a script reader for Chanel 4, Soho Theatre, The Kings Cross Award and The Old Vic.

Kirsty was Artistic Director of The Etcetera Theatre in Camden from 2000 – 2003 and was the winner of the inaugural Oxford Samuel Beckett Theatre Trust Award in 2003, for which she directed Cue Deadly at Riverside Studios.

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Rehearsed Reading

June 15th, 2010

Sunday 27 June 2010
Bandages
written and directed by Kirsty Housley.

Time:  4pm

Place: The Nightingale Theatre, Brighton

Cost: £4

We watched her through the crack in the cupboard door. There was nothing elegant about her death. None of the skill that had been using in Daddy’s end was employed here. She took the knife and plunged it deep into her stomach. Blood sprayed up the dirty white bathroom walls and across the mirror. She opened her mouth to scream but there was no noise, just more blood. Fountains of it. It seemed to glow in that funny bathroom light. It seemed to have a life of its own as it escaped from her. I’m sure she appreciated the beauty of it all.

April 14th, 2010

Hello,

My name is Kirsty and I am a currently making a new show with some help from the great people at Newbury Corn Exchange and the Arts Council. I am working mainly alone but with some help from a mentor and some fantastic actors.

Over the last few months I’ve written a play. I didn’t mean to. It’s rather taken me by surprise. Although I make my own work and have often written as a part of that process, I don’t classify myself as a writer at all. It’s not what I do. Except I have. It’s rather exciting.

I wanted to try a new way of working. Having worked as an assistant and director on several adaptations, and even tried my hand at adaptation myself, I felt I’d reached a natural jumping off point. So I jumped.

I’m not sure what it is yet. It started off being about a young woman in Halifax who stabbed her sister when she was just 14. It’s ended up being about co dependency, insecurity and growing up. And the Morrisons meat counter. Not what I expected at all.

I’m hoping it will be shown at some point over the summer. I’ll keep you posted.

Thanks for looking.

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